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Alfred Nomad Finds Himself By Never Losing Himself (An Album Review: Until I Get Home, Take What You Can Carry)
If I had to sum up Alfred Nomad’s latest project in two words, it would be identity and growth. Not growth in the sense of disc...
Pharrell Saved My Life
Let me kick this off with a controversial debate. Some would like to argue between who’s the better creative, artist, producer or the...
Traklife Sound Market Returns to Chinatown with a Night of Discovery and Community
On March 7, the Traklife Music Community returned to Los Angeles’ Chinatown Central Plaza for another installment of Traklife Sound M...
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What Indie Artists Actually Need (That No One Tells You) | Drew de Leon | The Cultural Record S1E1
Independence has never been more accessible for artists. Distribution platforms are open. Marketing tools are everywhere. Data is ava...
From Studio to Screen: A Thoughtful Look at Sync Licensing
There’s a difference between chasing placements and understanding context. On Sunday, Traklife hosted From Studio to Screen: A Though...
COWBOY CARTER REVIEW: THE FINALE: THE LINDA MARTELL SHOW- AMEN
THE LAST PART LETS GET INTO IT! Bold= ooo run that back Italics= yesss vocals THE LINDA MARTELL SHOW: THE LEGEND HERSELF LINDA...
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The State of Filipino Americans in Today’s Music Landscape (Here’s what these Fil-Am Music Creatives Have To Say)
It’s the early 1990s and Filipino Americans were still finding their place in American Culture. Other than roles in the medical...
Didi J Talks Music, Fashion, and Breaking Barriers | Exclusive Interview
In this exclusive sit-down, international pop star and fashion mogul Didi J opens up about her journey from Serbia to the global stag...
Next Level Collaboration for Audio Specialists with Rebekah Wilson
The founder of Vortex Entertainment Group (E.G.) sits down with Rebekah Wilson of Source Elements to discuss the current and future n...