{"id":37513,"date":"2024-09-26T01:58:55","date_gmt":"2024-09-26T01:58:55","guid":{"rendered":"https:\/\/traklife.com\/music\/?p=37513"},"modified":"2024-09-26T01:58:58","modified_gmt":"2024-09-26T01:58:58","slug":"cowboy-carter-review-the-finale-the-linda-martell-show-amen","status":"publish","type":"post","link":"https:\/\/traklife.com\/culture\/cowboy-carter-review-the-finale-the-linda-martell-show-amen\/","title":{"rendered":"COWBOY CARTER REVIEW: THE FINALE: THE LINDA MARTELL SHOW- AMEN"},"content":{"rendered":"\n

THE LAST PART LETS GET INTO IT!<\/p>\n\n\n\n

Bold= ooo run that back<\/strong><\/p>\n\n\n\n

Italics= yesss vocals<\/em><\/p>\n\n\n\n

THE LINDA MARTELL SHOW: <\/strong><\/p>\n\n\n\n

THE LEGEND HERSELF LINDA MARTELL! I\u2019m so happy she was on this project. It\u2019s only fitting that the first black female country artist, to release an album, would be a part of something like this! What a beautiful thing to have her contributions here! AND for people to learn and understand HER contributions to black women in country music. <\/p>\n\n\n\n

THE LINDA MARTELL SHOW: <\/strong>LYRICS<\/strong><\/p>\n\n\n\n

[Interlude: Linda Martell]<\/p>\n\n\n\n

Haha, okay, thank you so very much<\/p>\n\n\n\n

Ladies and gentlemen<\/p>\n\n\n\n

This particular tune stretches across a range of genres<\/strong><\/p>\n\n\n\n

And that’s what makes it a unique listening experience<\/strong><\/p>\n\n\n\n

Yes, indeed<\/p>\n\n\n\n

It’s called “YA YA”<\/p>\n\n\n\n

YA YA: <\/strong>INTRO <\/strong><\/p>\n\n\n\n

OOOOO MY GODDDDD. THIS SONG IS FANTASTIC! SOOO MUCH ENERGY! BEYONC\u00c9 DOING ROCK I REPEAT BEYONC\u00c9 DOING ROCK! Its genre-bending musically and mind-blowing vocally. There is a gear-change that happens from this point on. I think that\u2019s why there\u2019s this \u201cintroduction\u201d to the album- like preparing us for a wild ride. I think this song is such a masterpiece, honestly.<\/p>\n\n\n\n

YA YA:<\/strong> LYRICS<\/strong><\/p>\n\n\n\n

[Intro]<\/p>\n\n\n\n

Hello, girls (Hello, Beyonc\u00e9)<\/p>\n\n\n\n

Hello, fellas (You’re pretty swell)<\/p>\n\n\n\n

Those petty ones can’t fuck with me<\/strong> (Why?)<\/p>\n\n\n\n

‘Cause I’m a clever girl, we snappin’<\/p>\n\n\n\n

(Pretty please) Toms, please<\/p>\n\n\n\n

We wanna welcome you to the Beyonc\u00e9 Cowboy Carter: Act II, ah<\/p>\n\n\n\n

And a rodeo chitlin circuit<\/p>\n\n\n\n

We gon’ make it do what it do, ya-ya<\/p>\n\n\n\n

Put them hands together<\/p>\n\n\n\n

[Chorus]<\/p>\n\n\n\n

We clappin’<\/p>\n\n\n\n

We drummin’ (Ya-ya-ya-ya-ya, ya-ya-ya-ya-ya-ya)<\/p>\n\n\n\n

Oh, oh, ya-ya-ya (Oh, ya-ya-ya-ya-ya, ya-ya-ya-ya-ya-ya)<\/p>\n\n\n\n

Oh, ya-ya-ya-ya-ya-ya-ya-ya-ya-ya (Oh, ya-ya-ya-ya-ya, ya-ya-ya-ya-ya-ya)<\/p>\n\n\n\n

Ya-ya-ya-ya (Oh, ya)<\/p>\n\n\n\n

(Ya-ya) B-E-Y-I-N-C-E, ya<\/p>\n\n\n\n

[Verse 1]<\/p>\n\n\n\n

My family live and died in America, hm<\/em><\/strong><\/p>\n\n\n\n

Good ol’ USA, shit (Good ol’ USA)<\/em><\/strong><\/p>\n\n\n\n

Whole lotta red in that white and blue, huh<\/em><\/strong><\/p>\n\n\n\n

History can’t be erased, ooh<\/em><\/strong><\/p>\n\n\n\n

You lookin’ for a new America? (America)<\/em><\/strong><\/p>\n\n\n\n

Are you tired, workin’ time and a half for half the pay? (Woo-hoo)<\/em><\/strong><\/p>\n\n\n\n

Ya-ya (Half the pay, oh-oh)<\/em><\/strong><\/p>\n\n\n\n

I just pray that we don’t crash, keep my Bible on the dash<\/em><\/p>\n\n\n\n

We gotta keep the faith<\/em><\/p>\n\n\n\n

Wildfire burnt his house down<\/em><\/p>\n\n\n\n

Insurance ain’t gon’ pay no Fannie Mae, shit<\/em><\/p>\n\n\n\n

So hold this holster, pour mo’ liquor, please<\/em><\/p>\n\n\n\n

Hard workin’ man ain’t got no money in the bank<\/em><\/p>\n\n\n\n

Huh, the ya-ya<\/em><\/p>\n\n\n\n

Turn up the vinyl and the radio (Radio)<\/em><\/p>\n\n\n\n

He can’t watch the news nowadays (Nowadays)<\/em><\/p>\n\n\n\n

Oh, I just pray that he don’t crash, keep his pistol on the dash<\/em><\/p>\n\n\n\n

He gotta keep the faith<\/em><\/p>\n\n\n\n

[Refrain]<\/p>\n\n\n\n

She’s pickin’ up good vibrations<\/p>\n\n\n\n

He’s lookin’ for sweet sensations<\/p>\n\n\n\n

[Chorus]<\/p>\n\n\n\n

Ladies? (Yeah?)<\/p>\n\n\n\n

Fuck it, we shakin’ (Ya-ya-ya-ya-ya, ya-ya-ya-ya-ya-ya)<\/p>\n\n\n\n

We swimmin’ (Ya-ya-ya-ya-ya, ya-ya-ya-ya-ya-ya)<\/p>\n\n\n\n

We jerkin'(Ya-ya-ya-ya-ya, ya-ya-ya-ya-ya-ya)<\/p>\n\n\n\n

We twerkin’ (Ya-ya-ya-ya-ya, ya-ya-ya-ya-ya-ya)<\/p>\n\n\n\n

You wanna touch it, don’t you? (Ya-ya-ya-ya-ya, ya-ya-ya-ya-ya-ya)<\/p>\n\n\n\n

Come get this genie in a bottle (Ya-ya-ya-ya-ya, ya-ya-ya-ya-ya-ya)<\/p>\n\n\n\n

Come rub it, won’t you? (Ya-ya-ya-ya-ya, ya-ya-ya-ya-ya-ya)<\/p>\n\n\n\n

I pop it (Ya-ya-ya-ya-ya, ya-ya-ya-ya-ya-ya)<\/p>\n\n\n\n

I walk it like I talk it (Ya-ya-ya-ya-ya, ya-ya-ya-ya-ya-ya)<\/p>\n\n\n\n

I got your spurs sparkin’<\/strong> (Ya-ya-ya-ya-ya, ya-ya-ya-ya-ya-ya)<\/p>\n\n\n\n

Ya-ya-ya-ya-ya, oh<\/p>\n\n\n\n

[Post-Chorus]<\/p>\n\n\n\n

Let loose<\/em><\/p>\n\n\n\n

Do what you do, baby, Good God<\/p>\n\n\n\n

[Verse 2]<\/p>\n\n\n\n

I don’t wanna hear no ya-ya-ya-ya-ya-ya-ya-ya<\/em><\/p>\n\n\n\n

I got you daydreamin’<\/em><\/p>\n\n\n\n

Put your lips on my lips<\/em><\/p>\n\n\n\n

And strum me like a guitar<\/em><\/p>\n\n\n\n

La-la-la-la-la-la-la-la, you got me movin’, boy<\/em><\/p>\n\n\n\n

You got me ooh-in’, you might know what you’re doin’ (Ooh-ooh)<\/em><\/p>\n\n\n\n

Put them babies to bed (Oh-oh)<\/em><\/p>\n\n\n\n

We sweat out the sheets (Oh)<\/em><\/p>\n\n\n\n

Got you up all night and now you don’t wanna leave<\/em><\/p>\n\n\n\n

I can soothe your pain, yeah<\/em><\/p>\n\n\n\n

When I’m long gone, you’ll call my name, yeah<\/em><\/p>\n\n\n\n

World of Wind got you insane, yeah<\/em><\/p>\n\n\n\n

It’s givin’ me the faith<\/em><\/p>\n\n\n\n

[Refrain]<\/p>\n\n\n\n

I’m pickin’ up good vibrations (Ooh)<\/p>\n\n\n\n

He’s givin’ me sweet sensations (Oh)<\/p>\n\n\n\n

[Bridge]<\/p>\n\n\n\n

B-E-Y-I-N-C-E, ya (Get down)<\/strong><\/p>\n\n\n\n

We gon’ bust it down (Ya-ya)<\/p>\n\n\n\n

From Texas (From Texas)<\/p>\n\n\n\n

To Gary (To Gary)<\/p>\n\n\n\n

All the way down to New York City (New York City)<\/em><\/p>\n\n\n\n

Give me a kiss<\/p>\n\n\n\n

Big daddy, you so pretty (So pretty)<\/p>\n\n\n\n

[Verse 3]<\/p>\n\n\n\n

Got these slugs in my mouth, when I die, don’t take ’em out<\/em><\/strong><\/p>\n\n\n\n

(Got these slugs in my mouth, when I die, don’t take ’em out) Ooh<\/em><\/strong><\/p>\n\n\n\n

Baby, if you ain’t got no grits, get the fuck up out the South<\/em><\/strong><\/p>\n\n\n\n

(If you ain’t got no grits, get the fuck up out the South) Mmh<\/em><\/strong><\/p>\n\n\n\n

Life is comin’ at me fast, keep my Bible on the dash<\/em><\/strong><\/p>\n\n\n\n

His pistol in my seat, just in case I gotta blast<\/em><\/strong><\/p>\n\n\n\n

I just wanna shake my ass (Have a blast), ooh<\/em><\/strong><\/p>\n\n\n\n

I just wanna shake my ass (Have a blast), ooh (We vibratin’<\/em><\/strong>)<\/em><\/p>\n\n\n\n

And lover boy, you’re so fine<\/em><\/p>\n\n\n\n

Ooh, you got me losin’ my mind<\/em><\/p>\n\n\n\n

But you gotta keep the faith<\/em><\/p>\n\n\n\n

[Outro]<\/p>\n\n\n\n

Oh-oh-oh-oh-oh<\/em><\/p>\n\n\n\n

We gotta keep the faith<\/em><\/p>\n\n\n\n

Ah, vote<\/em><\/p>\n\n\n\n

Ah, oh, woah-oh<\/em><\/p>\n\n\n\n

YA YA: <\/strong>VOCALS <\/strong><\/p>\n\n\n\n

I MEAN WHAT IS GOING ONNNNNN. B E Y I N \u0106 E!! GO BACK AND ABSORB THAT FIRST VERSE- She is taking inspirations from all over the place with her vocal choices and it\u2019s something to behold. This is unlike anything I\u2019ve heard from her- and she continues to break barriers. SHE IS ROCKIN! I\u2019ve heard so many comparisons to the likes of Prince and Tina Turner and I totally see why. THE GROWLS! THE RUNS! THOSE LOW NOTESSS WHATTT! She is on another level! Radiating attitude, power, and confidence. A ROCK INSPIRED ALBUM NEXT PLEASEEEEEE!<\/p>\n\n\n\n

YA YA: <\/strong>MUSIC<\/strong><\/p>\n\n\n\n

I am LIVING for the 60s vibe to open! GROOVY lead in and then, musical commands from B. I always love when she does this because it gets the listener to focus on the background sounds more. Snaps, toms, claps and drums are introduced as we dive into a foot stomping \u201cearly rock\u201d feeling. Incredible electric guitar elements and a Sitar?? Giving those groovy breaks those descending notes \u2014 BEACH BOYS VIBRATIONS INTERPALATION WHAT\u2014 I LOVE the rise in volume and intensity as we keep moving\u2014 it makes the contrast of the groove breaks that much starker. The music in this track has so much movement and energy and encapsulated all the different colors of an era of ever-changing sounds.<\/p>\n\n\n\n

\u2b50\ufe0f\u2b50\ufe0f\u2b50\ufe0f\u2b50\ufe0f\u2b50\ufe0f<\/p>\n\n\n\n

OH LOUISIANA:<\/strong><\/p>\n\n\n\n

Such a clever transition! Letting her insane runs from \u201cYA YA\u201d cool down into this bayou vibe. Then creating this interlude is a vocally distorted sample of this Chuck Berry song from 1970. Love the nod to yet another different vibe in country musical roots. <\/p>\n\n\n\n

OH LOUISIANA:<\/strong> LYRICS<\/strong><\/p>\n\n\n\n

[Interlude: Beyonc\u00e9 & Chuck Berry]<\/p>\n\n\n\n

Oh-woah, woah<\/em><\/p>\n\n\n\n

Oh, Louisiana<\/p>\n\n\n\n

I stayed away from you too long<\/p>\n\n\n\n

Oh, Louisiana<\/p>\n\n\n\n

How can a true love go so wrong?<\/p>\n\n\n\n

She put me in shame and in sorrow<\/p>\n\n\n\n

And I come home tomorrow<\/p>\n\n\n\n

Oh, Louisiana<\/p>\n\n\n\n

DESERT EAGLE:<\/strong><\/p>\n\n\n\n

Another insane transition (the eagle screech always gets me) and the ride continues. I ADORE the sound of this one it\u2019s so funky and immediately made me scrunch my face. SEXY! Naughty lyrics paired with a groovy music and some nice harmonies into another transition- SUCH A COOL ADDITION!<\/p>\n\n\n\n

DESERT EAGLE: <\/strong>LYRICS<\/strong><\/p>\n\n\n\n

[Intro]<\/p>\n\n\n\n

Dosido, dosido<\/p>\n\n\n\n

Dosido, dosido (Ooh)<\/p>\n\n\n\n

Dosido, dosido<\/p>\n\n\n\n

[Verse]<\/p>\n\n\n\n

Soft to the touch, let you hold somethin’<\/p>\n\n\n\n

Let you get a handful<\/p>\n\n\n\n

Baby, she’s a whole lotta woman<\/strong><\/p>\n\n\n\n

Soft kisses on some fat lips<\/p>\n\n\n\n

It’s yours, baby, you can crash here, come here<\/p>\n\n\n\n

Cash out on a video<\/p>\n\n\n\n

Make ’em Cash App to see the rodeo, yeah<\/p>\n\n\n\n

Put on a show and make it nasty<\/p>\n\n\n\n

Desert Eagle in the backseat<\/p>\n\n\n\n

Everything bigger in Texas<\/strong><\/p>\n\n\n\n

Big body, buss it open, feed you breakfast<\/p>\n\n\n\n

Catch me in the bathroom on the sink top<\/p>\n\n\n\n

Baby, let me sink into your arms<\/p>\n\n\n\n

Drink me ’til it’s done, eat it up<\/p>\n\n\n\n

[Chorus]<\/p>\n\n\n\n

Oh, I keep it classy, let you love me like a lady, yeah<\/p>\n\n\n\n

Dosido and it get creamy in the middle, yeah<\/p>\n\n\n\n

One bite and the box is yours<\/p>\n\n\n\n

Sugar high, you gon’ want some more<\/p>\n\n\n\n

Of that dosido (Dosi’)<\/p>\n\n\n\n

Of that dosi’, dosido<\/p>\n\n\n\n

That dosido (Dosi’)<\/p>\n\n\n\n

Of that dosido (Dosido, dosido, dosido)<\/p>\n\n\n\n

RIIVERDANCE:<\/strong> INTRO <\/strong><\/p>\n\n\n\n

DANCE PEOPLE DANCE! AN IRISH JIG INTO A BEAT WHAT! For those who know the lore, this album (or at least its beginnings and inspirations) before Renaissance. That means technically this may have been the first delve into that house-inspired sound that Act 1 has. I LOVE THIS ONE. A nice beat with clever instrumentation, a cool structure, and lovely vocals. Raising our energy as an audience as we get into the last few tracks.<\/p>\n\n\n\n

RIIVERDANCE: <\/strong>LYRICS<\/strong><\/p>\n\n\n\n

[Intro]<\/p>\n\n\n\n

Dance, dance, dance, dance<\/p>\n\n\n\n

Dance, dance, dance, dance<\/p>\n\n\n\n

[Refrain]<\/p>\n\n\n\n

Bounce on that shit, dance (Dance)<\/strong><\/p>\n\n\n\n

Bounce on that shit, dance (Dance)<\/p>\n\n\n\n

Bounce on that shit, dance (Dance)<\/p>\n\n\n\n

Bounce on that shit, no hands<\/p>\n\n\n\n

Bounce on that shit, dance (Dance)<\/p>\n\n\n\n

Bounce on that shit, dance (Dance)<\/p>\n\n\n\n

Bounce on that shit, dance (Dance)<\/p>\n\n\n\n

Bounce on that shit, no hands<\/p>\n\n\n\n

[Chorus]<\/p>\n\n\n\n

Runnin’ through the river<\/p>\n\n\n\n

Runnin’ through the river with you, dance (Dance)<\/p>\n\n\n\n

Runnin’ through the river<\/p>\n\n\n\n

Runnin’ through the river with you, dance (Dance)<\/p>\n\n\n\n

[Verse 1]<\/p>\n\n\n\n

Staring down the barrel of his gun<\/strong><\/p>\n\n\n\n

Yes, he shot me down<\/strong><\/p>\n\n\n\n

I died and someone brought me back to life<\/strong><\/p>\n\n\n\n

But never to my senses<\/strong><\/p>\n\n\n\n

[Refrain]<\/p>\n\n\n\n

Bounce on that shit, dance (Dance)<\/p>\n\n\n\n

Bounce on that shit, dance (Dance)<\/p>\n\n\n\n

Bounce on that shit, dance (Dance)<\/p>\n\n\n\n

Bounce on that shit, no hands<\/p>\n\n\n\n

[Verse 2]<\/p>\n\n\n\n

Staring down the barrel of my gun<\/strong><\/p>\n\n\n\n

Yes, I shot you down<\/strong><\/p>\n\n\n\n

He cried the day he realized<\/strong><\/p>\n\n\n\n

That lies were hidden in my kisses<\/strong><\/p>\n\n\n\n

[Refrain]<\/p>\n\n\n\n

Bounce on that shit, dance (Dance)<\/p>\n\n\n\n

Bounce on that shit, dance (Dance)<\/p>\n\n\n\n

Bounce on that shit, dance (Dance)<\/p>\n\n\n\n

Bounce on that shit, no hands<\/p>\n\n\n\n

[Verse 3]<\/p>\n\n\n\n

He was tangled in my arms<\/strong><\/p>\n\n\n\n

He was my mess, my ball of string<\/strong><\/p>\n\n\n\n

I would give him everything<\/strong><\/p>\n\n\n\n

My thunderstorm and second chances<\/strong><\/p>\n\n\n\n

[Refrain]<\/p>\n\n\n\n

Bounce on that shit, dance (Dance)<\/p>\n\n\n\n

Bounce on that shit, dance (Dance)<\/p>\n\n\n\n

Bounce on that shit, dance (Dance)<\/p>\n\n\n\n

Bounce on that shit, no hands<\/p>\n\n\n\n

[Chorus]<\/p>\n\n\n\n

Runnin’ through the river<\/p>\n\n\n\n

Runnin’ through the river with you, dance (Dance)<\/p>\n\n\n\n

Bounce on that shit, dance (Dance)<\/p>\n\n\n\n

Bounce on that shit, no hands<\/p>\n\n\n\n

[Verse 4]<\/p>\n\n\n\n

We fight but we must make amends<\/strong><\/p>\n\n\n\n

Arrest me and read me my rights<\/strong><\/p>\n\n\n\n

I plan to steal your heart again<\/strong><\/p>\n\n\n\n

On Saturday and Sunday nights<\/strong><\/p>\n\n\n\n

[Refrain]<\/p>\n\n\n\n

Bounce on that shit, dance (Dance)<\/p>\n\n\n\n

Bounce on that shit, dance (Dance)<\/p>\n\n\n\n

Bounce on that shit, dance (Dance)<\/p>\n\n\n\n

Bounce on that shit, no hands<\/p>\n\n\n\n

[Verse 5]<\/p>\n\n\n\n

Wrap me ’round your little finger<\/strong><\/p>\n\n\n\n

Wrap me ’round your wedding ring<\/strong><\/p>\n\n\n\n

Your words, they take the shape my body makes<\/strong><\/p>\n\n\n\n

Ain’t that the scary thing?<\/strong><\/p>\n\n\n\n

[Refrain]<\/p>\n\n\n\n

Bounce on that shit, dance (Oh)<\/p>\n\n\n\n

Bounce on that shit, dance (Dance)<\/p>\n\n\n\n

Bounce on that shit, dance (Dance)<\/p>\n\n\n\n

Bounce on that shit, no hands<\/p>\n\n\n\n

[Chorus]<\/p>\n\n\n\n

Runnin’ through the river (Dance)<\/p>\n\n\n\n

Runnin’ through the river with you, dance (Dance)<\/p>\n\n\n\n

Bounce on that shit, dance (Dance)<\/p>\n\n\n\n

Bounce on that shit, no hands<\/p>\n\n\n\n

[Verse 6]<\/p>\n\n\n\n

Staring at the barrel of his gun<\/em><\/p>\n\n\n\n

Yes, he shot me down<\/em><\/p>\n\n\n\n

I died, but then I came straight back to life<\/em><\/p>\n\n\n\n

But never to my senses (Hey)<\/em><\/p>\n\n\n\n

We fight but then we make amends<\/em><\/p>\n\n\n\n

Arrest me and read me my rights (Hey)<\/em><\/p>\n\n\n\n

I plan to steal your heart again<\/em><\/p>\n\n\n\n

On Saturday and Sunday nights (Dance)<\/em><\/p>\n\n\n\n

[Refrain]<\/p>\n\n\n\n

Bounce on that shit, dance (Dance)<\/p>\n\n\n\n

Bounce on that shit, dance (We dance)<\/p>\n\n\n\n

Bounce on that shit, dance (We dance)<\/p>\n\n\n\n

Bounce on that shit, no hands<\/p>\n\n\n\n

[Verse 7]<\/p>\n\n\n\n

The day I met you, I remember everything<\/strong><\/p>\n\n\n\n

I wrote it down<\/strong><\/p>\n\n\n\n

Your smile was cold, your fade was fresh<\/strong><\/p>\n\n\n\n

Your eyes were such a shade of brown<\/strong><\/p>\n\n\n\n

[Refrain]<\/p>\n\n\n\n

Bounce on that shit, dance (Oh)<\/p>\n\n\n\n

Bounce on that shit, dance (Oh)<\/p>\n\n\n\n

Bounce on that shit, dance (Oh)<\/p>\n\n\n\n

Bounce on that shit, no hands<\/p>\n\n\n\n

[Verse 8]<\/p>\n\n\n\n

You press your ear onto my chest<\/strong><\/p>\n\n\n\n

You hear the speed my heart will beat<\/strong><\/p>\n\n\n\n

Seconds drag like days<\/strong><\/p>\n\n\n\n

Whenever you don’t want to talk or speak<\/strong><\/p>\n\n\n\n

[Refrain]<\/p>\n\n\n\n

Bounce on that shit, dance (Dance, ooh)<\/p>\n\n\n\n

Bounce on that shit, dance (Dance, dance)<\/p>\n\n\n\n

Bounce on that shit, dance (Do the dance, dance)<\/p>\n\n\n\n

Bounce on that shit, no hands (Do the dance, do it again)<\/p>\n\n\n\n

[Chorus]<\/p>\n\n\n\n

Runnin’ through the river<\/p>\n\n\n\n

Runnin’ through the river with you, dance<\/p>\n\n\n\n

Runnin’ through the river<\/p>\n\n\n\n

Runnin’ through the river<\/p>\n\n\n\n

Runnin’ through the river (Runnin’)<\/p>\n\n\n\n

Runnin’ through the river with you, dance (Runnin’)<\/p>\n\n\n\n

Runnin’ through the river<\/p>\n\n\n\n

Runnin’ through the river (Ooh)<\/p>\n\n\n\n

[Outro]<\/p>\n\n\n\n

Bounce on that shit, dance (Dance)<\/p>\n\n\n\n

Bounce on that shit, dance (Dance)<\/p>\n\n\n\n

Bounce on that shit, dance (Dance)<\/p>\n\n\n\n

Bounce on that shit, no hands<\/p>\n\n\n\n

RIIVERDANCE: <\/strong>VOCALS<\/strong><\/p>\n\n\n\n

YOU HEARD HER!! When B says Dance, I DANCE! What was that? BOUNCE on that- OKAY GIRL! I really enjoy that we have her in the refrains and early verses in her lower register and then add in the more ethereal harmonies and vocal stacks as the track progresses. The choices of her runs are so masterful and well placed. It\u2019s super pleasant to the ear to have all of these moving vocals arrangements as the song continues- it adds so much fullness and complexity to a song that is using only verses and refrains.<\/p>\n\n\n\n

RIIVERDANCE: <\/strong>MUSIC<\/strong><\/p>\n\n\n\n

I CANNOT RECOVER FROM THE USE OF DOLLY\u2019S NAILS IN THIS. SO creative to open with an Irish jig- and I love that as a frame of the music. YES, THAT BEAT- DANCE-DANCE! I loveeee the use of breaks and rests- the instrumental isolation and changing-combinations of the elements. As always, the music is such a compliment to the lyric and this music has me moving and bouncing\u2014 Runnin through that riverr<\/p>\n\n\n\n

II HANDS II HEAVEN:<\/strong> INTRO <\/strong><\/p>\n\n\n\n

Flawlessly transitioned\u2014 we\u2019re keeping the pace and that house production THE TRAIN IS STILL MOVIN\u2019. This track is TOP BEYONC\u00c9- the energy, the beats, the transitions, the vocal arrangement-JUST BRILLIANT. She\u2019s feeling it and firing on all cylinders. This feels like classic Beyonc\u00e9 yet elevated. At a 5:39 runtime\u2026 this could have gone 10! I WANT MORE!<\/p>\n\n\n\n

II HANDS II HEAVEN: <\/strong>LYRICS<\/strong><\/p>\n\n\n\n

[Chorus]<\/p>\n\n\n\n

Bottle in my hand, the whiskey up high<\/strong><\/p>\n\n\n\n

Two hands to Heaven, wild horses run wild, oh<\/strong><\/p>\n\n\n\n

God only knows why, though (Yeah, yeah, yeah, yeah)<\/strong><\/p>\n\n\n\n

Rhinestones and diamonds both shine in the light<\/strong><\/p>\n\n\n\n

Two hands to Heaven, my whiskey up high, oh (Oh)<\/strong><\/p>\n\n\n\n

God only, God only knows why, though (Oh, oh, oh)<\/strong><\/p>\n\n\n\n

[Verse 1]<\/p>\n\n\n\n

In the Arizona heat, summer fling saw your best side<\/p>\n\n\n\n

Slip into my dreams every night, be the good guy<\/p>\n\n\n\n

Who am I to judge, my baby? (Uh-uh)<\/p>\n\n\n\n

Who am I to love, my baby? (Uh-uh)<\/p>\n\n\n\n

Purple-colored mink, sugarcane<\/p>\n\n\n\n

Hittin’ them sixteen switches<\/p>\n\n\n\n

Candy apple green, candy paint<\/p>\n\n\n\n

Swirling twenty-four inch spinners (Swirl)<\/p>\n\n\n\n

Don’t judge me, baby (Ha)<\/p>\n\n\n\n

You would never judge me, baby<\/p>\n\n\n\n

[Chorus]<\/p>\n\n\n\n

Bottle in my hand, my whiskey up high<\/p>\n\n\n\n

Two hands to Heaven, coyotes run wild, oh (Oh, oh)<\/p>\n\n\n\n

God only, God only knows why, though (Why? Why? Why?)<\/p>\n\n\n\n

Ten thousand steps towards the time of your life<\/p>\n\n\n\n

Two hands to Heaven, my whiskey up high, oh (Oh)<\/p>\n\n\n\n

God only, God only knows why, though<\/p>\n\n\n\n

Why, though? Why, though?<\/p>\n\n\n\n

[Post-Chorus]<\/p>\n\n\n\n

Two hands to Heaven I’ve prayed, priest forgive my soul<\/strong><\/p>\n\n\n\n

Lovely daggers pierced my heart many moons ago<\/strong><\/p>\n\n\n\n

Toxic roses chased by wolves and carnivores<\/strong><\/p>\n\n\n\n

Lost virgins with broken wings that will regrow<\/strong><\/p>\n\n\n\n

[Verse 2]<\/p>\n\n\n\n

I’m a stallion runnin’, no candle in the wind<\/p>\n\n\n\n

You won’t ever see me comin’ or goin’ but you’ll know whenever I’m here<\/p>\n\n\n\n

Dancin’ in the moonlight, catchin’ every breeze<\/p>\n\n\n\n

My feet on the dashboard, now go really fast, boy<\/p>\n\n\n\n

Ever since I went to Marfa, ain’t no trouble on my mind (On my mind, on my mind)<\/p>\n\n\n\n

Singin’ sweet songs to Las Vegas, singin’, “I will carry on”<\/p>\n\n\n\n

Carry on, carry on, carry on, carry on<\/p>\n\n\n\n

Singin’, “I will carry on”<\/p>\n\n\n\n

[Chorus]<\/p>\n\n\n\n

Ten thousand steps towards the time of your life<\/p>\n\n\n\n

Two hands to Heaven, my whiskey up high, oh (Oh, oh)<\/p>\n\n\n\n

God only, God only knows why, though (Why, though? Why?)<\/p>\n\n\n\n

Rhinestones and diamonds both shine in the light<\/p>\n\n\n\n

Two hands to Heaven, coyotes run wild, oh<\/p>\n\n\n\n

God only, God only knows why, though (God only, God only knows why, though)<\/p>\n\n\n\n

[Post-Chorus]<\/p>\n\n\n\n

Two hands to Heaven I’ve prayed, priest forgive my soul<\/p>\n\n\n\n

Lovely daggers pierced my heart many moons ago<\/p>\n\n\n\n

Toxic roses chased by wolves and carnivores<\/p>\n\n\n\n

Lost virgins with broken wings that will regrow<\/p>\n\n\n\n

[Part II]<\/p>\n\n\n\n

[Segue]<\/p>\n\n\n\n

Swirl<\/p>\n\n\n\n

Baby, I’ve been waitin’ my whole life<\/em><\/p>\n\n\n\n

For you and I<\/em><\/p>\n\n\n\n

[Verse]<\/p>\n\n\n\n

This the real you, huh<\/p>\n\n\n\n

This the real me, huh<\/p>\n\n\n\n

They can’t do nothin’ but envy, ooh<\/em><\/p>\n\n\n\n

Bliss, please (Yeah, yeah, yeah)<\/p>\n\n\n\n

Your love run through me like lava<\/p>\n\n\n\n

Pull my fit over these hips<\/p>\n\n\n\n

You grip, I grind<\/p>\n\n\n\n

Then taste this wine, I’ma taste what’s mine<\/p>\n\n\n\n

‘Cause I’ma take what’s mine<\/p>\n\n\n\n

Wonder whatever, wherever’s fine<\/p>\n\n\n\n

Like water, ah<\/p>\n\n\n\n

Wherever you wanna go, that’s fine with me<\/p>\n\n\n\n

I’ll never stop you, you’ll never stop me<\/p>\n\n\n\n

From bein’ whatever we need to be<\/p>\n\n\n\n

And in these dark times, I’m so glad that this love is blinding<\/p>\n\n\n\n

‘Cause all I see is the best of you, and all you see is the best of me<\/p>\n\n\n\n

And you bring out the best of me<\/p>\n\n\n\n

And all I see is everything<\/p>\n\n\n\n

Your goals, your glow, your inner being<\/p>\n\n\n\n

And our bigger meaning<\/p>\n\n\n\n

So, let’s lose us in these sheets (Yeah)<\/p>\n\n\n\n

And when I get up to walk, I wanna feel weak, yeah<\/p>\n\n\n\n

Look, I ain’t goin’ far (Ain’t goin’ far)<\/strong><\/p>\n\n\n\n

So, stay where you are (Stay where you are)<\/strong><\/p>\n\n\n\n

Feel like you partied in Venus and we woke up in Mars (Baby)<\/strong><\/p>\n\n\n\n

Yeah, I’ve been waitin’ my whole life (Woo)<\/em><\/p>\n\n\n\n

(I’ve been waitin’ my whole life)<\/em><\/p>\n\n\n\n

I’m gonna give you the best years of your life (For you, and I)<\/em><\/p>\n\n\n\n

You, and I<\/em><\/p>\n\n\n\n

Baby, I’ve been waitin’ my whole life for you, and I<\/em><\/p>\n\n\n\n

II HANDS II HEAVEN: <\/strong>VOCALS<\/strong><\/p>\n\n\n\n

Ohhh she\u2019s in her pocket in this one. We can hear different facets of her tone and delivery through the music changes.  Serving silky vocals and skillful cadence switches. One of my favorite uses of vocal stacking on this whole project. The riffs and runs are masterful- her tone, lovely. I really dig the changes in volume and some bits of vocal distortions as we continue deeper into the track. SWIRL– OOO PART II IM ASCENDING! CANNOT GET ENOUGH OFF THIS PART! A switch up musically and vocally mannnn THIS IS SO GOOOOOD UGH!<\/p>\n\n\n\n

II HANDS II HEAVEN:<\/strong> MUSIC<\/strong><\/p>\n\n\n\n

ADORE THIS BEAT LOVE THE VIBE THIS SONG CAPTURES. AGAIN, THE USE OF THE NAILS IS EVERYTHING! I am so happy we\u2019re continuing the energy and production style further. There\u2019s this trippy distortion-sound that comes in and out that is super cool. Loving the small electronic bits and additions that play off the distortion. As the song progresses that cymbal ts ts ts ts just adds so much to the build- yess. SWIRL is rightttt! TAKE ME THERE- still distorted but new elements and THAT NEW BEATT. the groove and flow created! So much happened in the music and I was eating it all up! 10s 10s 10s<\/p>\n\n\n\n

\u2b50\ufe0f\u2b50\ufe0f\u2b50\ufe0f\u2b50\ufe0f\u2b50\ufe0f<\/p>\n\n\n\n

TYRANT:<\/strong> INTRO <\/strong><\/p>\n\n\n\n

ooop don\u2019t hate me- this is probably my least favorite on the entire album and this track is one that has yet to grow on me. There are parts that I like but there\u2019s a lot I don\u2019t. BUT LETS FOCUS ON THE POSITIVE SHALL WE Again, a beautiful transition!! A SONG WITH DOLLY AND BEYONC\u00c9- that is something I never thought would be possible until this album. I like the cheeky lyrics and their moments together in the intro and outro.<\/p>\n\n\n\n

TYRANT: <\/strong>LYRICS<\/strong><\/p>\n\n\n\n

[Intro: Dolly Parton & Beyonc\u00e9]<\/p>\n\n\n\n

Cowboy Carter<\/em><\/strong><\/p>\n\n\n\n

Time to strike a match and light up this juke joint<\/em><\/strong><\/p>\n\n\n\n

One-one-one by one, you hang them high<\/em><\/p>\n\n\n\n

Your hands are steady and you sleep at night<\/em><\/p>\n\n\n\n

How did you turn your heart to stone?<\/em><\/p>\n\n\n\n

I don’t want him back, but I can’t let go<\/em><\/p>\n\n\n\n

Hangman, answer me now<\/em><\/p>\n\n\n\n

You owe me a debt, you stole him from me<\/em><\/p>\n\n\n\n

I hated you once, I envy you now<\/em><\/p>\n\n\n\n

Just tell me how, tell me how<\/em><\/p>\n\n\n\n

(d.a. got that\u2014)<\/p>\n\n\n\n

[Pre-Chorus]<\/p>\n\n\n\n

Oh, she got that whoa there, hangman got that whoa there<\/p>\n\n\n\n

Don’t act like you don’t know, giddy up, giddy up (d.a. got that dope)<\/p>\n\n\n\n

Don’t pay me in gold, giddy up, giddy up<\/p>\n\n\n\n

Back outside, I’m on the road, giddy up, giddy up<\/p>\n\n\n\n

When the sun goes down (It’s night-night, hey)<\/p>\n\n\n\n

Can hear her body howl (In the moonlight, hey)<\/p>\n\n\n\n

I feel her eyein’ me like owls (It’s on sight, hey)<\/p>\n\n\n\n

Hide your man when the hangman come in town (Ooh, yikes)<\/p>\n\n\n\n

[Chorus]<\/p>\n\n\n\n

She’s a tyrant every time I ride it, every time I ride it<\/p>\n\n\n\n

Make it look so good, try to justify it<\/p>\n\n\n\n

Boy, you know they’re lookin’ for me, how we gonna hide it?<\/p>\n\n\n\n

Ride it like hydraulics, I am such a tyrant<\/p>\n\n\n\n

Every time I ride it, every time I ride this<\/p>\n\n\n\n

I don’t like to sit up in the saddle, boy, I got it<\/p>\n\n\n\n

Just relax, I got this, I got that exotic<\/p>\n\n\n\n

Hips are so hypnotic, I am such a tyrant<\/p>\n\n\n\n

[Verse]<\/p>\n\n\n\n

Send me some shots, are you with me or not?<\/p>\n\n\n\n

Throw it back, shoot up the bar<\/p>\n\n\n\n

Then tell the law we don’t remember nothin’ after that<\/p>\n\n\n\n

Scot-free (Scot-free), whole city after me<\/p>\n\n\n\n

Have you seen her? 5’9”, thick and fine, what a tragedy<\/p>\n\n\n\n

Hey, hey, ridin’ you while we tryna get away<\/p>\n\n\n\n

Ridin’ you while we tryna catch a wave<\/p>\n\n\n\n

That’s so sexy and I know it, and I ain’t afraid to show it<\/p>\n\n\n\n

Baby, I’m goated, baby, I’m glowin’<\/p>\n\n\n\n

Hey, hey, on the run, run<\/p>\n\n\n\n

Tap me on the shoulder when you reload the gun<\/p>\n\n\n\n

[Chorus]<\/p>\n\n\n\n

Tyrant every time I ride it, every time I ride it<\/p>\n\n\n\n

Make it look so good, try to justify it<\/p>\n\n\n\n

Boy, you know they’re lookin’ for me, how we gonna hide it?<\/p>\n\n\n\n

Ride it like hydraulics, I am such a tyrant<\/p>\n\n\n\n

[Bridge]<\/p>\n\n\n\n

How did you get used to the haunting? (The haunting)<\/em><\/p>\n\n\n\n

The willing, the missing, the wanting (The wanting)<\/em><\/p>\n\n\n\n

Dry eyes just send me across the divide<\/em><\/p>\n\n\n\n

Hangman, teach me how not to cry<\/em><\/p>\n\n\n\n

How not to cry, how not to cry<\/em><\/p>\n\n\n\n

[Pre-Chorus]<\/p>\n\n\n\n

Ooh, she got that whoa there, hangman got that whoa there<\/p>\n\n\n\n

Don’t act like you don’t know, yeah, giddy up, giddy up (d.a. got that\u2014)<\/p>\n\n\n\n

Don’t pay me in gold, giddy up, giddy up<\/p>\n\n\n\n

Back outside, I’m on the road, giddy up, giddy up (Hey)<\/p>\n\n\n\n

When the sun goes down (When the suns goes down)<\/p>\n\n\n\n

You can hear this body howl (You can hear this body howl)<\/p>\n\n\n\n

Giddy up now, diggadont, diggadont<\/p>\n\n\n\n

Digga daddy, can’t leave me ‘lone, leave me ‘lone<\/p>\n\n\n\n

Damn if I do, dammit if I don’t<\/p>\n\n\n\n

Lady with a whip, want what she wanna want, okay<\/p>\n\n\n\n

[Chorus]<\/p>\n\n\n\n

Tyrant every time I ride it, every time I ride it<\/p>\n\n\n\n

Make it look so good, cowboys justify it<\/p>\n\n\n\n

Boy, you know they lookin’ for me, how we gonna hide it?<\/p>\n\n\n\n

Ride it like hydraulics, I am such a tyrant<\/p>\n\n\n\n

Every time I ride it, every time I ride it<\/p>\n\n\n\n

Baby, I just don’t sit up in the saddle, boy, I got it<\/p>\n\n\n\n

Just relax, I got this, I got that exotic<\/p>\n\n\n\n

These hips so hypnotic, I am such a tyrant<\/p>\n\n\n\n

[Outro]<\/p>\n\n\n\n

Hangman, answer me now<\/p>\n\n\n\n

You owe me a debt, you stole him from me (Giddy up, giddy up)<\/p>\n\n\n\n

I hated you once, I envy you now (Hey)<\/p>\n\n\n\n

Just tell me how, tell me how<\/p>\n\n\n\n

(Giddy up, giddy up)<\/p>\n\n\n\n

TYRANT: <\/strong>VOCALS<\/strong><\/p>\n\n\n\n

Love to hear Dolly\u2019s voice to open this up! I really enjoy the unison beginning and picking out Dolly\u2019s twang in the stacks. I always like some echoes or ad-libs to fill some space. She gave that falsetto on the bridge, and I was floatinggg. Unison in the outro, yes!<\/p>\n\n\n\n

TYRANT: <\/strong>MUSIC<\/strong><\/p>\n\n\n\n

The music is where my main gripes with this song lie. I think the strings + trap beat make sense for this project- and follows the running theme of exploration of \u201ccountry\u201d sounds with other elements. However, FOR ME, it\u2019s not my favorite combo- and that distracts me for the other elements of this song I do like :\/ liked the bridge tho!<\/p>\n\n\n\n

SWEET <\/strong>\u2b50\ufe0f<\/strong> HONEY <\/strong>\u2b50\ufe0f<\/strong> BUCKIN\u2019 FT SHABOOZEY:<\/strong> INTRO <\/strong><\/p>\n\n\n\n

This one is easily the one that grew on me the most! Every time I listen, I am just amazed by another element I never noticed before\u2014and this one gets me moving the most of any song on this album.  Being that this song is three parts we get three unique experiences that transition flawlessly into one another. This track is like a microcosm of this album- incredible beats and production, brilliant transitions, and vocal intricacy!  <\/p>\n\n\n\n

SWEET <\/strong>\u2b50\ufe0f<\/strong> HONEY <\/strong>\u2b50\ufe0f<\/strong> BUCKIN\u2019: <\/strong>LYRICS<\/strong><\/p>\n\n\n\n

[Intro: Beyonc\u00e9]<\/p>\n\n\n\n

I fall to pieces<\/p>\n\n\n\n

Each time I see you there<\/p>\n\n\n\n

And I miss all our secrets<\/p>\n\n\n\n

So tell me how you’ve been<\/p>\n\n\n\n

[Verse 1: Shaboozey]<\/p>\n\n\n\n

Lucchese the boots, check<\/p>\n\n\n\n

You can hear when I step, step<\/p>\n\n\n\n

Bought a Chevy and painted it red<\/strong><\/p>\n\n\n\n

Money long, it can’t fit in the bed<\/strong><\/p>\n\n\n\n

It don’t matter what nobody says<\/p>\n\n\n\n

Country boy ’til the day that I’m dead (Yee-hoo)<\/p>\n\n\n\n

You want smoke, I’m the Marlboro man<\/strong><\/p>\n\n\n\n

Cut it out ‘fore it get outta hand, ayy<\/p>\n\n\n\n

This ain’t Calabasas, we don’t need highways<\/p>\n\n\n\n

We can take backroads (Take backroads)<\/p>\n\n\n\n

Never been ridin’, baby? Step in that stirrup<\/p>\n\n\n\n

Hop on my saddle (Hop on my saddle)<\/p>\n\n\n\n

Snake on my feet, they rattle (Ooh)<\/p>\n\n\n\n

And the bag, only thing gettin’ lasso’d, yeah (Gettin’ what?)<\/p>\n\n\n\n

And I’m still goin’ up like a ladder (Uh)<\/p>\n\n\n\n

And I’m still in the field like cattle<\/p>\n\n\n\n

[Verse 2: Beyonc\u00e9 & Shaboozey]<\/p>\n\n\n\n

The Cadillac back on the road, we takin’ Route 44<\/p>\n\n\n\n

Just say what you need from the store, oh, oh<\/p>\n\n\n\n

Put some grits on the stove<\/p>\n\n\n\n

Jiffy cornbread, booty corn-fed<\/p>\n\n\n\n

Body rolls at the rodeo<\/p>\n\n\n\n

I’m coming home, ooh<\/p>\n\n\n\n

[Pre-Chorus]<\/p>\n\n\n\n

Ridin’ through just to put my eyes on you<\/p>\n\n\n\n

You are the superstar<\/p>\n\n\n\n

Everybody’s drivin’ all new cars<\/p>\n\n\n\n

Turn a bad night to a good time<\/p>\n\n\n\n

On a trail ride to the zydeco<\/p>\n\n\n\n

I’m coming home<\/p>\n\n\n\n

[Chorus: Beyonc\u00e9, Shaboozey, Beyonc\u00e9 & Shaboozey]<\/p>\n\n\n\n

I’m coming home (I’m coming home, I’m coming home)<\/p>\n\n\n\n

I’m coming home (I’m coming home, I’m coming home)<\/p>\n\n\n\n

We’ve come a long way from the rough ride<\/p>\n\n\n\n

From the railroads to the rodeos, sweet country home<\/p>\n\n\n\n

[Outro: Beyonc\u00e9]<\/p>\n\n\n\n

This for my, this for my<\/p>\n\n\n\n

She gone<\/p>\n\n\n\n

Ride for your cowboy<\/p>\n\n\n\n

And throw that sweet honey on it<\/p>\n\n\n\n

[Part II: HONEY]<\/p>\n\n\n\n

[Verse: Beyonc\u00e9]<\/p>\n\n\n\n

So come (So come) with me (With me)<\/p>\n\n\n\n

To new life (Sticky, sticky, sticky, sweet)<\/p>\n\n\n\n

(New life)<\/p>\n\n\n\n

You’re stuck (You’re stuck) to me (To me)<\/p>\n\n\n\n

All night (Sticky, sticky, sticky, sweet)<\/p>\n\n\n\n

(All night)<\/p>\n\n\n\n

Put a flower inside (Hot, hot, hot, hot)<\/p>\n\n\n\n

(Flower inside)<\/p>\n\n\n\n

Stuck in me all night (Sticky, sticky, sticky, sweet)<\/p>\n\n\n\n

(Stuck in me all night)<\/p>\n\n\n\n

[Chorus: Beyonc\u00e9 & Pharrell Williams]<\/p>\n\n\n\n

Honey (We’re), hey (Ridin’)<\/em><\/p>\n\n\n\n

Hey (Through the), ooh (Night)<\/em><\/p>\n\n\n\n

Honey (We’re), yeah (Ridin’)<\/em><\/p>\n\n\n\n

Yeah (Through the), taste like (Night)<\/em><\/p>\n\n\n\n

Honey (We’re), hey (Ridin’)<\/em><\/p>\n\n\n\n

Oh (Through the), taste like (Night)<\/em><\/p>\n\n\n\n

Honey (We’re), ayy (Ridin’)<\/em><\/p>\n\n\n\n

Ayy, think of my<\/p>\n\n\n\n

[Part III: BUCKIIN’]<\/p>\n\n\n\n

[Chorus: Beyonc\u00e9 & Pharrell Williams]<\/p>\n\n\n\n

Buckin’ (Yeah), buckin’ (Yeah)<\/p>\n\n\n\n

Buckin’ (Yeah), woah (Yeah)<\/p>\n\n\n\n

Buckin’ (Yeah), buckin’ (Yeah)<\/p>\n\n\n\n

Buckin’ like a mechanical bull<\/p>\n\n\n\n

Buckin’ (Yeah), buckin’ (Yeah)<\/p>\n\n\n\n

Buckin’ (Yeah), woah (Yeah)<\/p>\n\n\n\n

Buckin’ (Yeah), buckin’ (Yeah)<\/p>\n\n\n\n

A good night (Yeah) flow, money is full (Yeah)<\/p>\n\n\n\n

Look at that horse, look at that horse<\/p>\n\n\n\n

Look at that horse (Look at that horse)<\/p>\n\n\n\n

Pretty as hell, au naturel<\/p>\n\n\n\n

Dinin’ on farce (Dinin’ on farce)<\/p>\n\n\n\n

Buckin’, buckin’<\/p>\n\n\n\n

Woah, buckin’ (Yeah)<\/p>\n\n\n\n

Buckin’ (Buckin’), a good night<\/p>\n\n\n\n

Woah, yeah<\/p>\n\n\n\n

[Verse 1: Beyonc\u00e9 & Pharrell Williams]<\/p>\n\n\n\n

Your patience is thin (Uh-huh)<\/p>\n\n\n\n

Your hormones is right at the rim (Ow)<\/p>\n\n\n\n

You was just goin’ in (Uh-huh)<\/p>\n\n\n\n

Fuck it, do it again (That’s cool)<\/p>\n\n\n\n

A-O-T-Y, I ain’t win (That’s cool)<\/strong><\/p>\n\n\n\n

I ain’t stuntin’ ’bout them<\/strong><\/p>\n\n\n\n

Take that shit on the chin<\/strong><\/p>\n\n\n\n

Come back and fuck up the pen<\/strong> (Yeah)<\/p>\n\n\n\n

[Pre-Chorus: Beyonc\u00e9 & Pharrell Williams]<\/p>\n\n\n\n

Say the things that I know will offend (Huh, yeah)<\/p>\n\n\n\n

Wear that shit that I know start a trend (Uh)<\/p>\n\n\n\n

Take the Bugatti out for the spin (Ooh)<\/p>\n\n\n\n

Ain’t no top, feel the wind on my skin<\/p>\n\n\n\n

Ooh, ooh, ooh, snakes on the den (Uh)<\/p>\n\n\n\n

They hissin’, don’t listen to them (That’s cool)<\/p>\n\n\n\n

They bite every once and again (Uh-huh)<\/p>\n\n\n\n

But it gets stomped down when we<\/p>\n\n\n\n

[Chorus: Beyonc\u00e9 & Pharrell Williams]<\/p>\n\n\n\n

Buckin’ (Yeah), buckin’ (Yeah)<\/p>\n\n\n\n

Buckin’ (Yeah), woah (Yeah)<\/p>\n\n\n\n

Buckin’ (Yeah), buckin’ (Yeah)<\/p>\n\n\n\n

Buckin’ like a mechanical bull<\/p>\n\n\n\n

Buckin’ (Yeah), buckin’ (Yeah)<\/p>\n\n\n\n

Buckin’ (Yeah), woah (Yeah)<\/p>\n\n\n\n

Buckin’ (Yeah), buckin’ (Yeah)<\/p>\n\n\n\n

A good night flow where the money is full<\/p>\n\n\n\n

Look at that horse, look at that horse<\/p>\n\n\n\n

Look at that horse (Look at that horse)<\/p>\n\n\n\n

Pretty as hell, au naturel<\/p>\n\n\n\n

Dinin’ on farce<\/p>\n\n\n\n

Uh, buckin’<\/p>\n\n\n\n

Woah, buckin’<\/p>\n\n\n\n

Buckin’ (Mm-hmm)<\/p>\n\n\n\n

[Verse 2: Beyonc\u00e9]<\/p>\n\n\n\n

They yankin’ your chain (Yankin’ your chain)<\/p>\n\n\n\n

Promisin’ things that they can’t (Things that they can’t)<\/p>\n\n\n\n

You the man at the bank? (Bank)<\/p>\n\n\n\n

Is you is or you ain’t? (Is you is or you ain’t?)<\/p>\n\n\n\n

Hit the runway, I’m late (The runway, I’m late)<\/p>\n\n\n\n

Pop-pops got pictures to take (Take, take)<\/p>\n\n\n\n

It’s in my DNA (Ayy)<\/p>\n\n\n\n

Look at my mama, it’s a trait<\/p>\n\n\n\n

[Pre-Chorus: Beyonc\u00e9]<\/p>\n\n\n\n

Say the things that I know will offend (Woo)<\/p>\n\n\n\n

Wear that shit that I know start a trend (Woo)<\/p>\n\n\n\n

Take the Bugatti out for the spin<\/p>\n\n\n\n

Ain’t no top, feel the wind on my skin<\/p>\n\n\n\n

[Chorus: Beyonc\u00e9]<\/p>\n\n\n\n

Ooh, ah<\/p>\n\n\n\n

Buckin’, woah<\/p>\n\n\n\n

Buckin’, buckin’<\/p>\n\n\n\n

Buckin’ like a mechanical bull<\/p>\n\n\n\n

SWEET <\/strong>\u2b50\ufe0f<\/strong> HONEY <\/strong>\u2b50\ufe0f<\/strong> BUCKIN\u2019: <\/strong>VOCALS<\/strong><\/p>\n\n\n\n

THIS SONG HAS IT ALL FOR ME VOCALLY. PHARELL WILLIAMS- THE COMPOSITION!! SIR! Okay, okay let\u2019s start with SWEET- I love B\u2019s vocal in this and Shaboozey\u2019s verse fits super nicely in here. A lot of the color in this part comes from the music but she\u2019s still serving attitude. The laugh transition into HONEY is sooo nice as Beyonc\u00e9 gives us a floaty and dreamy verse. PHARELL ON THE CHORUS OF HONEY\u2014so so pleasing to the ear! He continues in with his ad-libs backing B in BUCKIN\u2019 brining back the attitude from SWEET and turning it up. I love this song.<\/p>\n\n\n\n

SWEET <\/strong>\u2b50\ufe0f<\/strong> HONEY <\/strong>\u2b50\ufe0f<\/strong> BUCKIN\u2019: <\/strong>MUSIC<\/strong><\/p>\n\n\n\n

THE MUSIC OF THIS IS ON ANOTHER LEVEL. AGAIN, Pharrell is credited on this track, so it makes sense that the production of this song is IT. The sounds and the choicess- you can pick up a different element each listen its incredible. THE BEAT is sooooo nice in SWEET it hits hard. THE TRANSITIONS into HONEY and BUCKIN\u2019 are smooth\u2014HONEY floated and then into BUCKIN\u2019 we get slapped back into ANOTHER BEAT and this one punches. The horse clomping backing in the mix whaaat. DYNAMIC SONG! HAS ME MOVING EVERYTIME.<\/p>\n\n\n\n

AMEN:<\/strong><\/p>\n\n\n\n

NOW THAT WE HAVE SINNED, WE BACK AT THE CHURCH! This feels so full circle! These last 8 tracks have been non-stop- energy flow dance transition- now we must repent and remember where we started! There\u2019s like this muffled horn-like sound backing with and some piano that a really like as B is GIVING US VOCALS! THE STACKS again creating that church feeling we opened with. As we move into the outro were giving an ending playing off the beginning SWELLING VOCALS, WE SWTICH TO THAT ORGAN! AMEN BEYONC\u00c9.<\/p>\n\n\n\n

AMEN: <\/strong>LYRICS<\/strong><\/p>\n\n\n\n

[Chorus]<\/p>\n\n\n\n

Mercy on me, baby, have mercy on me (Mercy, mercy)<\/em><\/p>\n\n\n\n

Hurtin’ badly, I can see you’re hurtin’ badly<\/em><\/p>\n\n\n\n

Hurtin’, hurtin’, hey<\/em><\/p>\n\n\n\n

Mercy on me, baby, have mercy on me (Mercy, mercy)<\/em><\/p>\n\n\n\n

I see you hurtin’, see you, please, have mercy on me (Oh-oh, ooh)<\/em><\/p>\n\n\n\n

(Mercy, mercy)<\/em><\/p>\n\n\n\n

[Verse]<\/p>\n\n\n\n

This house was built with blood and bone<\/p>\n\n\n\n

And it crumbled, yes, it crumbled<\/p>\n\n\n\n

The statues they made were beautiful<\/p>\n\n\n\n

But they were lies of stone, they wer\u0435 lies of stone<\/p>\n\n\n\n

Trumpets blar\u0435<\/em> with silent sound<\/p>\n\n\n\n

I need to make you proud<\/p>\n\n\n\n

Tell me, can you hear me now?<\/p>\n\n\n\n

[Chorus]<\/p>\n\n\n\n

Mercy on me, mercy, have mercy on me<\/p>\n\n\n\n

(Mercy, yeah, mercy, yeah)<\/p>\n\n\n\n

I can see you hurtin’, see you hurtin’ badly<\/p>\n\n\n\n

(Can see you hurtin’, see you hurtin’ badly)<\/p>\n\n\n\n

(Mercy, mercy)<\/p>\n\n\n\n

[Outro]<\/p>\n\n\n\n

Say a prayer for what has been<\/em><\/strong><\/p>\n\n\n\n

We’ll be the ones to purify our Fathers’ sins<\/em><\/strong><\/p>\n\n\n\n

American Requiem<\/em><\/strong><\/p>\n\n\n\n

Them old ideas (Yeah) are buried here (Yeah)<\/em><\/strong><\/p>\n\n\n\n

Amen (Amen)<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

THE LAST PART LETS GET INTO IT! Bold= ooo run that back Italics= yesss vocals THE LINDA MARTELL SHOW:  THE LEGEND HERSELF LINDA MARTELL! I\u2019m so happy she was on this project. It\u2019s only fitting that the first black female country artist, to release an album, would be a part of something like this! What…<\/p>\n","protected":false},"author":496,"featured_media":37514,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1601],"tags":[],"class_list":["post-37513","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews"],"yoast_head":"\nCOWBOY CARTER REVIEW: THE FINALE: THE LINDA MARTELL SHOW- AMEN - Traklife Music - Culture<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/traklife.com\/culture\/cowboy-carter-review-the-finale-the-linda-martell-show-amen\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"COWBOY CARTER REVIEW: THE FINALE: THE LINDA MARTELL SHOW- AMEN - Traklife Music - Culture\" \/>\n<meta property=\"og:description\" content=\"THE LAST PART LETS GET INTO IT! Bold= ooo run that back Italics= yesss vocals THE LINDA MARTELL SHOW:  THE LEGEND HERSELF LINDA MARTELL! I\u2019m so happy she was on this project. It\u2019s only fitting that the first black female country artist, to release an album, would be a part of something like this! 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