{"id":35148,"date":"2020-12-29T01:33:55","date_gmt":"2020-12-29T01:33:55","guid":{"rendered":"https:\/\/traklife.com\/featured\/notes-from-the-archive-recordings-2011-2016-album-review\/"},"modified":"2020-12-29T01:33:55","modified_gmt":"2020-12-29T01:33:55","slug":"notes-from-the-archive-recordings-2011-2016-album-review","status":"publish","type":"post","link":"https:\/\/traklife.com\/culture\/notes-from-the-archive-recordings-2011-2016-album-review\/","title":{"rendered":"Notes from the Archive: Recordings 2011-2016 – Album Review"},"content":{"rendered":"

[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_column_text]Maggie Rogers<\/a> has hit some pretty major career milestones in the last few years. \u201cDiscovered\u201d by Pharell<\/a> (and the rest of the world) in a now-viral video<\/a> of her presenting her song \u201cAlaska\u201d to her college class, Rogers has since put out her debut studio album, toured internationally and been nominated for a Grammy.\u00a0<\/span><\/p>\n

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Her only 2020 release – barring her \u201cIris\u201d cover with fellow indie pop queen Phoebe Bridgers – is <\/span>Notes from the Archive: Recordings 2011-2016<\/span><\/i>, a collection of songs from her life before fame and fortune.\u00a0<\/span><\/p>\n

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The songs have a folkier sound than <\/span>Heard It In A Past Life<\/span><\/i><\/a>, with acoustic guitar, banjo and harmonica parts that don\u2019t quite match the bigger, pop sound she\u2019s going for now.\u00a0<\/span><\/p>\n

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This collection of songs shows off Rogers\u2019 diversity as an artist. Songs like \u201cJames\u201d lean towards bluegrass, while \u201cCeladon & Gold\u201d sounds like a 90s indie hit.\u00a0<\/span><\/p>\n

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Two tracks are collabs with Del Water Gap<\/a>, Rogers\u2019 former band. \u201cNew Song\u201d is a personal favorite. The two singers reminisce on a relationship that\u2019s ending: \u201cLord, \u2018cause for now we\u2019re mistaken \/\/ in thinking we fit.\u201d\u00a0<\/span><\/p>\n

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It\u2019s interesting to see how Rogers has grown as an artist over the last 10 years. Even songs that would sound totally out of place in her current discography are still undeniably hers; she may have updated the production, but the soul-searching lyrics and powerful vocals have always been a part of her music.\u00a0<\/span><\/p>\n

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In a statement about the release, Rogers said, \u201c<\/span>I\u2019ve known for a long time that this is something I had to do before I put out another record, because there\u2019s a part of me that\u2019s so deeply missing from the story right now: the 10 years of work that have led up to this moment. I have a whole body of work that I don\u2019t want to leave behind. This record feels like honoring that work, putting the pieces of the story back together, finding my way from bisected to whole. Now, I\u2019ve finally been given the space to let ideas develop and let myself develop. And as I\u2019ve been working on a new record, I see the pieces all coming together and coming full circle.\u201d<\/span><\/p><\/blockquote>\n

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Check out <\/span>Notes from the Archive: Recordings 2011-2016 <\/span><\/i>here!<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_empty_space][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_column_text]<\/p>\n